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6 Tips for Sharper Photos

Getting sharper photos is something that always comes up when you guys email me questions so I wanted to put together a post showing a few options of why you might not be getting that tack sharp photo and how to fix it!

1. Start with Your Gear

The quality and type of your camera gear can greatly affect the sharpness of your images. I find this very true when it comes to lenses in particular. Lenses are a true camera gear investment, they will outlast your camera body for a long time. That means investing in amazing lenses is worthwhile and a great lens can help your photos be sharper, where a low quality lens can do the opposite.

Primes, or fixed focal length lenses are often sharper overall when compared to a zoom lens. Some primes also are sharper than others. For example, the images by my 35mm f1.4L are insanely sharp compared to my 50mm 1.2L. There’s always a noticeable difference when editing photos. Don’t be afraid to save up for that awesome lens because it will help make your photos more sharp. If you’re struggling a lot with sharpness and you’re still working with your zoom lenses that came in your camera kit, consider purchasing a prime lens. Those zoom lenses that come in camera kits are not always the best quality lenses and images produced from them are often not the tack sharp images that portrait photographers are wanting to see. Starting with the “nifty fifty,” a 50mm lens, will help your photos a ton!

2. Shooting in RAW

Just for a brief overview – RAW is a format (like JPEG) you can have your camera shoot in. These are large files that store more information and are therefore easier to edit and recover later in case you underexposed or something along those lines. I shoot in RAW because they’re so much easier to edit and fix if needed. However, because RAW photos are full of information it means they don’t come out of your camera as a compressed file, like JPEGs do. When a file is compressed to a JPEG by your camera it will appear to be sharper, but it won’t be as easy to color correct or fix exposure. If you’re struggling with those tack sharp images and you shoot in RAW you can start making a quick sharpening part of your editing workflow to get those images back up to par.

3. Al Servo Mode

If you’re a portrait photographer working with toddlers, and fast kiddos, learning to use Al Servo as a focusing method on your camera will help your camera track moving subjects and keep them tack sharp as they’re running by during that family photo session. >Here< is an awesome article by the Digital Photography School on what Al Servo is and how to use it.

4. Use Back Button Focus

Back button focus might not make your photos sharper simply by using it, it’s just that it’s easier to focus on your subject and be more exact and therefore your images will start appearing to be sharper. It helps you keep your focus spot-on. You can read about back button focus >here<.

5. Eyes

Always focus on the eyes of your subject in a photo. Eyes are one of the first parts of someone we interact with, so eyes will define your photo. Make sure that when you’re shooting up close (if you like to shoot wide open with a low aperture), that you’re always focusing on the eye closest to the camera. This looks much more natural than if the eye closest to you is out of focus and the one further away is in focus.

6. Save as a PNG for Social Media

A PNG file is one that isn’t compressed. Often times our JPEG files are re-compressed when uploaded onto a website, like Facebook. Keeping your files as a PNG will help them display better on Facebook or your blog and keep them from looking wonky when they’re compressed during upload.

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May 15, 2013 - 8:12 am

Michelle Krohn - Awesome info! I never knew about png. Thanks! !

May 15, 2013 - 3:15 pm

Sandra Ace - This is a great article. I especially find shooting kids and fast moving objects very difficult and when they go on my screen it turns out i’ve missed focus. AI Servo is something I will definitely try. Thanks for sharing!

What’s Happening This Week

1. >Members Area<

  • Sunday and Tuesday evening live chats online!
  • If you have purchased a membership that includes mentoring – be sure to contact me to schedule your sessions!
  • New Video and Forum Tutorials are released every Thursday!

2. Online Classes 

You can sign up for any of these classes >here<

  • Being Organized Class - Last week we had this class all about getting organized behind the scenes. You can still register and watch the recording!
  • Free Q&A Class – Yesterday we had our free Q&A session for the month of May!
  • How to Start Your Business (Mini Get Legit Session) – The Get Legit workshops I was offering this past winter with all the information on how to become a legit business included individual research. This class is a smaller version and will discuss all the possible licenses and official mumbo jumbo you’ll need to be in business, but does not include individualized research! This class is tomorrow night!
  • How to do a Consult with your Clients – Sometimes that first meeting with clients can be really tough. It’s hard to prepare and know exactly what to say and when to say it. In this online class I’ll walk you through setting up, what to talk about, and how to follow up with your clients to ensure they book.

3. Mentoring - I have one spot open for the end of May for a mentoring session! June is booking up quick so if you sign up soon be sure to email me and schedule your session! >Mentoring<

4. Online Workshops 

You can check them out >here<

  • Online Wedding Photography Workshop – This is a 6 week online workshop with a small group of other wedding photographers. We talk about every aspect of weddings inside and out. Marketing, breaking down the wedding day, posing, organizing, being official, customer service…the list is long! The next workshop is this summer.
  • Taking Better Photos Workshop – I had a couple of photographers ask questions about my before/after photos post I did awhile ago. We were talking about how to take those next steps to take better photos. This class goes beyond learning manual to talk a lot about composition and the artistry behind photographing. It’s a 4 week course beginning in June!

 

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Black and White Conversions

This post is for everyone who asks about black and white conversions! I wanted to talk about when it’s the right time to decide if a photograph should be converted to a black and white image and a few other choices about black and white conversions.

What is the right image to convert?

Usually this comes down to artistic choice for many other photographers, as they’re going through and editing and deciding that something might look awesome in black and white or better in color. It truly is entirely up to you. Often times photographers that struggle with white balance also like to put wedding reception images in black and white because it can cover up your mistakes (just learn how to do white balance instead:)) Many photographers prefer to decide for the clients when an image looks best in black and white, but there are lots of awesome options for converting your images to black and white.

I prefer to convert all my images that I give to clients in color into black and whites as well. It’s not everyone’s cup of tea and not every image looks good in color, just like not every image looks great in black and white. For me I’ve been able to figure out converting them fast in Lightroom so it doesn’t take much time away from my work. I feel like it’s that extra step in customer service to allow my clients to decide whether they like something better in color or black and white. One of the things I’ve learned after providing both to clients for so long is that often the ones that are my favorites in black and white are not my client’s favorites. Just like we as the photographer (artist) have the artistic choice to decide what looks best in what method with our art, clients also have artistic preferences and I enjoy this extra step so I can please them. It also stops a lot of the later emails and complaints about wanting one image converted back to color or something else converted into black and white.

Ultimately it’s up to you to decide which ones you want to convert or not, it’s your artistic decision as a business owner and artist what you provide – there aren’t any right or wrong answers.

Classic Black and White Conversions

A lot of other questions I get about black and white images are how you can get them to just look normal and classic. There are so many Photoshop actions and Lightroom Presets these days that offer tinted versions of black and white images and although they may look awesome these go in and out of style. I prefer a very classic black and white so the image is timeless and won’t look old or out of style 20 years from now.

In this image you can see a sample of one that’s slightly tinted, a popular option for black and white conversions now. The way I like to get that classic black and white color is to start by de-saturating your image. The image on the right above is the color image simply de-saturated.

So this option shows the de-saturated image compared with my final option. I like a little contrast pop to my black and whites and sometimes that simple de-saturation can be sort of “gray” and doesn’t stand out the way I like. For me a simple de-saturate with a contrast boost is the way I like my black and white images. I don’t like to have any color tint to my black and whites (no sepia, etc.).

My suggestion for you guys is to play around with an image and make your own black and white actions or presets with a setting that you like best.

 

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May 13, 2013 - 8:34 am

Diane - Love this post! I just recently started de-saturating my images (with a tiny exposure and contrast boost) instead of using PS actions, and I am happy to see that you do it too- so it must be ok! :)

I would love to know the trick to doing this fast in Lightroom for an entire collection!

di

How to Find Your Photography Style

I am so thrilled and honored to have Kaitlin from Kaitlin Noel Photography writing for Photography Awesomesauce today! You might know her as the photographer of the pink sparkles, or the capital letters, but I know her as an absolute killer business woman! She’s here to write to you guys about finding your style today and I think it’s awesome, awesome, AWESOME advice! Please take a minute to visit her Facebook page too and send her a like.
by Kaitlin NOEL (Kaitlin Noel Photography)
>Kaitlin’s Website<
>Kaitlin’s Facebook<
>Kaitlin’s Blog<
There comes a time in every photographer’s professional career…whether it happens at the beginning of one’s career or smack dab in the middle, that we fall into a rut…a gap….a moment and place of feeling stuck.

I think, after making it out of a few ruts myself over the past 4 years, that the MAIN REASON such ruts happen is because photographers are SO BUSY SHOOTING WHAT THEY THINK THEY SHOULD BE, WHAT OTHERS TELL THEM TO, AND LESSSSS OF WHAT THEY ARE PASSIONATE TO SHOOT!

We have ALL been in the place where the phone rings, a client asks if we can shoot Billy’s baptism. The phone rings again asking to shoot Mark and Mandy’s wedding. Then it rings again asking us to shoot a retirement party, followed by your neighbors newborn session. WOW! That is a variety of photography right there. And let me be real….we all SAID, “YES!” Why… because it was income. Money in our pockets. Money to put towards a new camera, lens or camera bag. Of course we said, “YES!”

However, let me tell you what that immediate satisfaction of ‘getting paid for your work’ does to not only your mind, heart and soul….BUT THE LONGEVITY OF YOUR CAREER….IT STINTS IT. All of it. It strips the passion of why you fell in love with photography in the first place if you are shooting just to shoot and not shooting what you are passionate about.

We simply must LIMIT the work we do to what we are passionate about because if we don’t, long-term we will feel burnt out, saddened by the outcome of our ‘art’ and we will in turn let others know you are in this field for the wrong reasons….that it isn’t your love and passion for them or the art of it all…just the money. The busy status.

You feel me?? lol

One week, after shooting a family session, newborn session, birthday party, and engagement session I sat down with a cup of coffee and tried to think about why I felt so unhappy…so lost. I loveeeed all the people I got to meet at these shoots….I loveeed the opportunity it gave me get my name out there and just practice with my camera.

After a few hours of thought this is what I came up with:

I do not want to shoot anything other than families, engagements, weddings. No parties, no commercial work, no newborns, not even landscapes!

Once I nailed down what I did and didn’t want to shoot, I went out and got a myriad of magazines: Family Fun, People, Cosmo, In Style, Brides, Martha Stewart Weddings. I furiously flipped through the pages with a high lighter in hand and post its on the table. I bunny-earred, posit-marked and hightlighted anything and everything I loved. From poses, to outfits, to lighting, to composition, to angles.

I found that I didn’t like poses that left people looking stiff or broken. I didn’t like harsh or contrasty light. I liked bright, colofrul, natural, fun, candid, and some posed shots. I like everything to be true to life with minimal editing and simple retouches.

The next day I went out and shot based on what I found out I liked and GUESS WHAT!?!?!? I COULDN’T GET HOME FAST ENOUGH TO EDIT. I ranted and raved about how excited I was on my page to share previews and other people got excited alongside with me. I was positing what I was passionate about which in turn caused others to become passionate as well. From that one session I booked 3 more, and on those session dates, I shot based on that same imagery and research and out of NO WHERE….I was happy. Happy to the core. I was shooting who I wanted, how I wanted, where I wanted, WHAT I wanted. And since that moment on, I have never been more happy or more successful. I followed my heart, inspired my mind, ignited my soul, and REVAMPED my whole business.

I encourage you to grab a stack of magazines and get to tagging, marking and highlighting everything and anything that stands out. On that post-it, write down WHY you are marking that image. If you are better online, you can easily do this on PINTEREST. But don’t just “pin” an image and move on. PIN it and force yourself to write on that image WHY YOU JUST PINNED IT. Better yet, make separate boards based on those criteria above (clothes, poses, lighting, compassion, etc).

Trust me…the sooner you figure out what you do and don’t want to shoot…stop showing what you don’t want to shoot, and embracing the passion that follows suit with shooting what you love….you will be a success in no time! : )

May 10, 2013 - 2:02 pm

Heather - I love this!! It is such an important concept. Shooting what you love truly results in better images, more confidence, and personal satisfaction. I know that weddings are not for me and I found that out the hard way. I had done a couple small beach ceremonies for friends and was a bridesmaid in another wedding where the random shots I took were better than the $1800 photog she hired. I thought, yeah I can do weddings!!!! Booked my first paying wedding and was super excited. Did the engagement sitting and the bridal shower which turned out beautifully!! Wedding day arrives and the entire day was a disaster, not just for me. Everything that could go wrong did. I’ll just say this, the ceremony was to start at 1 but actually started at 3. No wedding planner, no point person, chaos, stress. All said and done, I got all the shots but I in no way felt the way I should’ve. Then I stressed about their opinion and hit a wall. They were happy with the finished product but I wasn’t. I had a hard time picking up my camera for a little while. Granted one bad Apple doesn’t spoil the bunch but I realized the pressure involved in weddings stifled my confidence in something I’m so passionate about. That showed me that I am not a wedding photographer and I’m ok with that.

May 11, 2013 - 7:04 am

Denis - Great post to which I can totally relate to. I made a decision at the start of the year to do just that and has led to me re-branding and following my inner voice to shoot what I’m passionate about. The new site is nearly complete but already I feel excited about the possibilities this will bring.

May 14, 2013 - 2:29 pm

Lisa Currie-Gurney - this was JUST what I needed. THANK YOU

May 20, 2013 - 6:15 pm

Sarah - Very interesting post! I love this! I have a quick question, Did you make the actual decision of just doing those specific shoots that made you happy? If so, how did you make the switch from doing all those odds and ends shoots that you weren’t to found of, to just doing the shoots you loved? Did you make it clear to your clients what you would be willing to do and not do? Or did you just decline the offers when people who contact you about those inquiries?

Thanks!

7 Tips for Keeping Your Camera Sensor Clean

So why do you want to keep that sensor squeaky clean? So you don’t get dust particles showing up in your photos and have to pay for camera sensor cleanings all the time.  If you get one little nasty dust particle hanging out on your sensor and it shows up in every single photo that’s a lot of editing…

Here’s a few tips that can help you avoid that!

1. Vacuum your camera bag regularly. You never know what kind of furballs (or dog hair in my case) collects up in there and can find its way into your camera!

2. Take care when changing lenses! Usually the most dust that will enter your camera does so when you’re doing lens changes. So make them quick and easy. Be careful of changing lenses in blowing/dusty environments.

3. Point your camera down when changing your lens. Make gravity your friend.

4. Use an air blower to blow the backs of your lenses clean before putting them onto your camera.

5. Don’t store your camera on its back (again make gravity your friend).

6. Keep your lenses clean! I clean mine before every session.

7. Use a bigger air blower! Like >this one< if it’s bigger you’ll have a better chance of removing dust particles from your gear.

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